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Channel: Jeff Weiss, Author at SPIN
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Special Report: Lil Boosie’s Life Behind Bars

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The Spin Top 40: The Most Vital Artists in Music, 1997
The Spin Top 40: The Most Vital Artists in Music, 1997
Lil Boosie

Before you get to Isaac Franklin’s former farmland, the two-lane road dead-ends. Coils of barbed wire slash the swollen Southern air. A brick placard reads: Louisiana State Penitentiary, Burl Cain — Warden. There’s a beige turret fringed by pink wild flowers. A 10-mile arc of levees rimmed with quicksand. A two-story fence blocking jaws of tangled brush. There are 5,100 prisoners here, 86 percent of whom are violent offenders — three-quarters of whom are serving life sentences on this converted plantation, named after an African nation from where slaves were imported: Angola.

This is where the Lomaxes, chain gang folklorists, discovered Leadbelly. This is where the Dead Man walked, and where former No Limit star C-Murder stares down a life sentence; where the questions at the crossroads become those of the condemned. This is where Lil Boosie, Louisiana’s most beloved and respected rapper sits, indefinitely.

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Boosie, born Torrence Hatch, inmate #560699, has been imprisoned in Angola for the last 38 months. No one can give you a straight answer on when he might get out. Not the warden, not his attorneys, and definitely not the websites that have been reporting that he’s due home in February. His counsel, New Orleans attorneys Jason Williams and Nicole Burdett, estimate that he could be released this summer, at the earliest. The more pessimistic projection is sometime in 2014.

He’s currently serving an eight-year bid for conspiring to smuggle in marijuana, Ecstasy, and the ingredients to make codeine. This occurred in May of 2011, while he was awaiting trial for first-degree murder, a charge he beat in May of the following year via a unanimous Baton Rouge jury. The question is: When will he be free? Since his trial ended, Boosie, 30, has been forbidden to talk directly to the press. Even his post-acquittal statement had to be delivered through his lawyers. When I attempted to gain permission to enter Angola last June, prison officials refused the request.

But I was able to send questions to Williams and Burdett. Boosie’s answers were then relayed back to me. In them, he touched on everything from his thoughts of his trial, to his treatment at Angola, to his plans upon release:

“I’ve coped by knowing in my heart that I’m someone special who many people love. If you lose hope in yourself, you’ll make your time hard. I always felt that my mission wasn’t complete. I feel I haven’t reached the star power that was destined for me,” Boosie wrote. “That makes me keep writing and thinking of ways to better myself as a man and artist. When it feels like the world is on my shoulders, I look at my pictures from when I was free and it gives hope and determination to pushing.”

It’s impossible to convey the bond that Boosie has with his fans, clustered largely in the South, inner cities across America, and anyone who can sympathize with his struggle, which encompasses poverty and violence, bootleggers and diabetes. His music is savage and heartfelt, full of pain, drugs, and death.

The Free Boosie Twitter account has over 133,000 followers. The Boosie Quotes Twitter has another 100,000. When L.A. rap stars Y.G. and DJ Mustard were credited with the rise of “ratchet music,” they explained that it started with Boosie. When Trinidad James was asked what he planned to do with his Def Jam advance, he said he wanted to use it to make an EP with Boosie.

In Baton Rouge, Boosie worship is absolute. It’s something like the feeling for Tupac in L.A. or Biggie in Brooklyn. Whether you’re at a Tigerland bar filled with collar-popping frat boys in pineapple Polos or an all-black club across the river, everyone knows every word to Boosie’s hits — LSU sorority girls can transition seamlessly from “Call Me Maybe” to his “Set It Off.”

DJ Ya Boy Earl, one of the biggest DJs in Louisiana and a host on 94.1 MAX-FM describes Boosie as being like family to almost everyone in Baton Rouge. Within the parish, he’s known for his philanthropy (stay-in-school programs, turkey giveaways) almost as much as he is for his music.

“Everyone around here thinks Boosie’s going to get out any day. People are always talking about it. They feel like he’s their brother,” say Earl. “I think he’s going to be the biggest artist in the game when he gets out. There aren’t many rappers on Boosie’s level who can say they beat a murder charge. No one reps the streets the way that Boosie did. That’s why he continues to get so much love.”

Houston legend Bun B, who along with his UGK partner Pimp C, was one of Boosie’s earliest supporters, says that the latter represents the rawest side of the streets.

“Boosie is a mirror: Lots of people live their life with similar abandon and his realness gives a voice to people from his world,” Bun B says. “People who love him are going to love him even more. His spot is waiting for him in the rap game and the streets. It’s not a spot that anyone can lay claim to or take.”

To see our running list of the top 100 greatest rock stars of all time, click here.


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